01
卡羅索爾 #2 | 2021，循環播放網頁
Carousel #2 | 2021, loop webpage
02
旋轉 | 2021，循環播放網頁
Circling | 2021, loop webpage
03
搖晃 | 2021，循環播放互動網頁
Rocking | 2021, interactive loop webpage
04
奔跑 | 2021，隨機播放網頁
Galloping | 2021, random webpage
05
站立 | 2021，隨機播放互動網頁
Standing | 2021, random interactive webpage
伊日馬場——張君懿個展
2021.12.23~2022.1.23
有一天，我夢見自己變成一個向量人。
旋轉、搖晃、奔跑······，向量天地裡，黑馬過隙、來回奔走於一時之間；仰賴代碼與指令生成的馬匹，彷彿豢養於網頁四方框景裡，在保有特定數位身份的同時，依循自身內在的運動規律，等待自此持存的「馬群照料所」中重返現實。「伊日馬場」取材於旋轉木馬音樂盒、英國攝影師埃德沃德・邁布里奇（Eadweard Muybridge）連續攝影中的奔馬、臺灣玩具博物館館藏木馬及網路圖像，藉由形象和語意的生成與轉譯，以一系列圍繞著馬所展開的作品形態組成一座線上與線下平行共存的馬場。線上馬場呈現SVG格式(註) 繪製而成的各式動態馬匹，線下馬場則以不同形式——繪畫、雕塑、聲音和影像裝置——轉化網路世界的向量馬：《卡羅索爾，±1》中拆半的旋轉木馬自共享的時間軸歧出，左右的迴圈錯失彼此共有的節奏；《邁布里奇之馬》的奔騰馬姿描繪出嘎然而止的旋轉瞬間；停止搖晃的《木馬》在可觸的現實裡取得了材質和量體；《跑馬燈》上落單的黑馬仍奮力奔跑，長型燈具成為牠永恆的賽道；黑盒子裡站立的一匹匹《代碼》，牠們進食、嘶鳴、行走或搖頭擺尾，唯一不做的事便是奔跑。
註：可縮放向量圖形，簡稱SVG（Scalable Vector Graphics），具有可任意拉伸而不影響解析度的特性，為現今網路常見的圖形格式。
線上馬場
01《卡羅索爾 #2》，2021年，循環播放網頁
木馬座騎上空無一人，沒有令人振奮的啟航鈴響，恆常的運行亦無終點，一如依循自身內在時間規律運轉的星體，默默地將三分半鐘的旋轉化為永恆。
02《旋轉》，2021年，循環播放網頁
埃德沃德・邁布里奇快門下的奔馬被釘上了樁柱，馳騁的動態再度凝滯，成為網頁裡原地轉圈的木馬，在角色變化中交換著關於「動態與速度」的密語。
03《搖晃》，2021年，循環播放互動網頁
循序平移的七彩玩具馬，一經輕觸便左搖右晃地變成黑色向量馬。
04《奔跑》，2021年，隨機播放網頁
在隨機進行的線上賽事中，馬群如流水般向前奔馳；網頁每次被開啟，便啟動一場全新的賽程。
05《站立》，2021年，隨機播放互動網頁
向量馬身上透現出形塑自身的代碼，代碼也以跑馬燈式的位移，緩緩勾勒出牠的多重姿態——搖頭擺尾、低頭進食、舉首嘶鳴以及踱步行走。
線下馬場
01《卡羅索爾，±1》，2014—2021年，雙頻道錄像，LED螢幕，循環播放
拆半的旋轉木馬自共享的時間軸上歧出，在相異的轉速中，左右的迴圈錯失彼此共有的節奏。
02《邁布里奇之馬》，2021年，繪畫，壓克力顏料，420 × 620 公分
網頁上迴旋不已的向量馬群在此嘎然而止，化身為牆面上的單色繪畫，招喚著連續攝影術中奔騰的馬姿。
03《木馬》，2021年，雕塑，木材，52 × 540公分
網頁裡的黑色向量馬在可觸的現實裡取得了材質和量體。
04《跑馬燈》，2021年，複合媒材，LED燈板、鐵，800 × 32公分
跑馬燈上有跑馬；光點明滅之間閃現一匹奔馳的黑馬，長型燈具是牠永恆的賽道。
05《代碼》，2021年，影音裝置，LED螢幕、喇叭，尺寸依場地而定
豢養在黑盒子裡的向量馬，一如馬廄裡休憩的馬群：進食、嘶鳴、行走，或搖頭擺尾。唯一不做的事便是奔跑。
線上馬場
網址 | chunyichang.com/yirihorsefarm
線下馬場
展期 | 2021.12.23‒2022.01.23
地點 | 伊日藝術計劃 1F
地址 | 臺北市內湖區新明路86巷1號
時間 | 13:00 ‒ 19:00 / 週日、週一休館
主辦單位：伊日藝術計劃
贊助單位：臺北市文化局
網頁技術：多摩創意工作室、三思資訊
聲音製作：澎葉生
特別感謝：臺灣玩具博物館、國立臺灣藝術大學美術學系、有章藝術博物館
Yiri’s Horse Farm—CHANG Chun-Yi Solo Exhibition
2021.12.23~2022.1.23
One day, I dreamt that I became a human vector.
Circling, rocking, galloping…, in the world of vectors, black steeds flit past a crack, running back and forth in a moment’s time. As if framed within the webpage, the horses in captivity, dependent on and programmed by the instructions and codes, seem to keep a specific digital identity, while following their own internal laws of motion and waiting to return to reality in the everlasting “horse care center”. Composed of a series of works focusing on horses, Yiri’s Horse Farm is mainly inspired by carousel music box, British photographer Eadweard Muybridge’s horse in motion by sequence photography, Taiwan Toy Museum’s collection of wooden horses, and cyberspace images. By the genesis and translation of images and semantics, it is actually a horse farm that coexists online and offline in parallel. The online horse farm demonstrates various dynamic equestrian vectors of SVG* format; the offline one transforms the horses on the internet into different forms—painting, sculpture, sound and video installation. In Carousel, ±1, two halves of the carousel diverge from the shared timeline and the left and right circles go without a common rhythm. The galloping posture of Eadweard Muybridge's Horse depicts the abrupt break in a circling instant. Wooden Horse ceases to rock, endowed with texture and volume of material in the tangible reality. The lonely black horse on the Marquee is still galloping desperately, and the striplight turns to be its eternal race track. In the black box stand a field of Coded Horse[s], eating, neighing, walking or shaking their heads and tails. Galloping is the only exercise they will not do.
* SVG stands for Scalable Vector Graphics, a common graphic format on the internet today. SVG images can be scaled in size without loss of resolution.
Online Horse Farm
01 Carousel #2, 2021, loop webpage
No one on the seats; no hilarious ringing to set off; no end of the constant movement, just like a planet revolving according to its own internal law of time. The work silently transforms the three-and-a-half-minute circling into eternity.
02 Circling, 2021, loop webpage
The running horse photographed by Edward Muybridge is nailed to a stake, which renders its dynamic gallop stagnant again. It transforms into a wooden horse going in circles on the webpage. In the role switching, the secret words about “dynamics and speed” are exchanged.
03 Rocking, 2021, loop interactive webpage
The colorful rocking horses horizontally move in sequence. Once lightly touched, it will rock, turning into a black horse vector.
04 Galloping, 2021, random webpage
In the random online races, the horses gallop forward like flowing water; every time the webpage is browsed, a brand-new race is launched.
05 Standing, 2021, random interactive webpage
The codes are revealed in forming and shaping the horse vector. Like a scrolling text on a marquee, they slowly outline its various postures—shaking its head and tail, bowing to eat, raising its head, neighing, and pacing.
Offline Horse Farm
01 Carousel, ±1, 2014-2021，loop dual channel video, LED display
Two halves of the carousel diverge from the shared timeline. At different speeds, the left and right circles go without the same rhythm.
02 Eadweard Muybridge's Horse, 2021, painting, acrylic paint, 420 × 620 cm
The horse vectors endlessly circling on the webpage come to an abrupt end here, turning into a monochrome painting on the wall, which beckons the horse’s galloping posture by sequence photography.
03 Wooden Horse, 2021, sculpture, wood, 52 × 540 cm
The black horse vector on the webpage has gained texture and volume of material in the tangible reality.
04 Marquee, 2021, mixed media, LED board, iron, 800 × 32 cm
A horse is racing on the marquee; a black horse flashes between the lights on and off, and the striplight is its eternal racing track.
05 Coded Horse, 2021, audio-visual installation, LED display, speaker, dimension variable
The horse vectors kept in a black box are like horses resting in a stable: eating, neighing, walking, or shaking their heads and tails. Running is the only exercise they will not do.
Online Horse Farm
Website | chunyichang.com/yirihorsefarm
Offline Horse Farm
Date | 2021.12.23—2022.01.23
Venue | YIRI ARTS
Add. | No. 1, Lane 86, Xinming Road, Neihu District, Taipei City 114030, TAIWAN
Open | Tue.—Sat. 13:00—19:00
Closed | Sun.—Mon.
Organizer: YIRI ARTS
Sponsor: Department of Cultural Affairs, Taipei City Government
Webpage Consultant: Domoidea Design, Sense Info
Sound Effect: Yannick Dauby
Special Thanks: Taiwan Toy Museum, Department of Fine Arts and Yo-Chang Art Museum of NTUA
伊日馬場——張君懿個展
2021.12.23~2022.1.23
有一天，我夢見自己變成一個向量人。
旋轉、搖晃、奔跑······，向量天地裡，黑馬過隙、來回奔走於一時之間；仰賴代碼與指令生成的馬匹，彷彿豢養於網頁四方框景裡，在保有特定數位身份的同時，依循自身內在的運動規律，等待自此持存的「馬群照料所」中重返現實。「伊日馬場」取材於旋轉木馬音樂盒、英國攝影師埃德沃德・邁布里奇（Eadweard Muybridge）連續攝影中的奔馬、臺灣玩具博物館館藏木馬及網路圖像，藉由形象和語意的生成與轉譯，以一系列圍繞著馬所展開的作品形態組成一座線上與線下平行共存的馬場。線上馬場呈現SVG格式(註) 繪製而成的各式動態馬匹，線下馬場則以不同形式——繪畫、雕塑、聲音和影像裝置——轉化網路世界的向量馬：《卡羅索爾，±1》中拆半的旋轉木馬自共享的時間軸歧出，左右的迴圈錯失彼此共有的節奏；《邁布里奇之馬》的奔騰馬姿描繪出嘎然而止的旋轉瞬間；停止搖晃的《木馬》在可觸的現實裡取得了材質和量體；《跑馬燈》上落單的黑馬仍奮力奔跑，長型燈具成為牠永恆的賽道；黑盒子裡站立的一匹匹《代碼》，牠們進食、嘶鳴、行走或搖頭擺尾，唯一不做的事便是奔跑。
註：可縮放向量圖形，簡稱SVG（Scalable Vector Graphics），具有可任意拉伸而不影響解析度的特性，為現今網路常見的圖形格式。
線上馬場
01《卡羅索爾 #2》，2021年，循環播放網頁
木馬座騎上空無一人，沒有令人振奮的啟航鈴響，恆常的運行亦無終點，一如依循自身內在時間規律運轉的星體，默默地將三分半鐘的旋轉化為永恆。
02《旋轉》，2021年，循環播放網頁
埃德沃德・邁布里奇快門下的奔馬被釘上了樁柱，馳騁的動態再度凝滯，成為網頁裡原地轉圈的木馬，在角色變化中交換著關於「動態與速度」的密語。
03《搖晃》，2021年，循環播放互動網頁
循序平移的七彩玩具馬，一經輕觸便左搖右晃地變成黑色向量馬。
04《奔跑》，2021年，隨機播放網頁
在隨機進行的線上賽事中，馬群如流水般向前奔馳；網頁每次被開啟，便啟動一場全新的賽程。
05《站立》，2021年，隨機播放互動網頁
向量馬身上透現出形塑自身的代碼，代碼也以跑馬燈式的位移，緩緩勾勒出牠的多重姿態—搖頭擺尾、低頭進食、舉首嘶鳴以及踱步行走。
線下馬場
01《卡羅索爾，±1》，2014—2021年，雙頻道錄像，LED螢幕，循環播放
拆半的旋轉木馬自共享的時間軸上歧出，在相異的轉速中，左右的迴圈錯失彼此共有的節奏。
02《邁布里奇之馬》，2021年，繪畫，壓克力顏料，420 × 620 公分
網頁上迴旋不已的向量馬群在此嘎然而止，化身為牆面上的單色繪畫，招喚著連續攝影術中奔騰的馬姿。
03《木馬》，2021年，雕塑，木材，52 × 540公分
網頁裡的黑色向量馬在可觸的現實裡取得了材質和量體。
04《跑馬燈》，2021年，複合媒材，LED燈板、鐵，800 × 32公分
跑馬燈上有跑馬；光點明滅之間閃現一匹奔馳的黑馬，長型燈具是牠永恆的賽道。
05《代碼》，2021年，影音裝置，LED螢幕、喇叭，尺寸依場地而定
豢養在黑盒子裡的向量馬，一如馬廄裡休憩的馬群：進食、嘶鳴、行走，或搖頭擺尾。唯一不做的事便是奔跑。
線上馬場
網址 | chunyichang.com/yirihorsefarm
線下馬場
展期 | 2021.12.23‒2022.01.23
地點 | 伊日藝術計劃 1F
地址 | 臺北市內湖區新明路86巷1號
時間 | 13:00 ‒ 19:00 / 週日、週一休館
主辦單位：伊日藝術計劃
贊助單位：臺北市文化局
網頁技術：多摩創意工作室、三思資訊
聲音製作：澎葉生
特別感謝：臺灣玩具博物館、國立臺灣藝術大學美術學系、有章藝術博物館
Yiri’s Horse Farm—CHANG Chun-Yi Solo Exhibition
2021.12.23~2022.1.23
One day, I dreamt that I became a human vector.
Circling, rocking, galloping…, in the world of vectors, black steeds flit past a crack, running back and forth in a moment’s time. As if framed within the webpage, the horses in captivity, dependent on and programmed by the instructions and codes, seem to keep a specific digital identity, while following their own internal laws of motion and waiting to return to reality in the everlasting “horse care center”. Composed of a series of works focusing on horses, Yiri’s Horse Farm is mainly inspired by carousel music box, British photographer Eadweard Muybridge’s horse in motion by sequence photography, Taiwan Toy Museum’s collection of wooden horses, and cyberspace images. By the genesis and translation of images and semantics, it is actually a horse farm that coexists online and offline in parallel. The online horse farm demonstrates various dynamic equestrian vectors of SVG* format; the offline one transforms the horses on the internet into different forms—painting, sculpture, sound and video installation. In Carousel, ±1, two halves of the carousel diverge from the shared timeline and the left and right circles go without a common rhythm. The galloping posture of Eadweard Muybridge's Horse depicts the abrupt break in a circling instant. Wooden Horse ceases to rock, endowed with texture and volume of material in the tangible reality. The lonely black horse on the Marquee is still galloping desperately, and the striplight turns to be its eternal race track. In the black box stand a field of Coded Horse[s], eating, neighing, walking or shaking their heads and tails. Galloping is the only exercise they will not do.
* SVG stands for Scalable Vector Graphics, a common graphic format on the internet today. SVG images can be scaled in size without loss of resolution.
Online Horse Farm
01 Carousel #2, 2021, loop webpage
No one on the seats; no hilarious ringing to set off; no end of the constant movement, just like a planet revolving according to its own internal law of time. The work silently transforms the three-and-a-half-minute circling into eternity.
02 Circling, 2021, loop webpage
The running horse photographed by Edward Muybridge is nailed to a stake, which renders its dynamic gallop stagnant again. It transforms into a wooden horse going in circles on the webpage. In the role switching, the secret words about “dynamics and speed” are exchanged.
03 Rocking, 2021, loop interactive webpage
The colorful rocking horses horizontally move in sequence. Once lightly touched, it will rock, turning into a black horse vector.
04 Galloping, 2021, random webpage
In the random online races, the horses gallop forward like flowing water; every time the webpage is browsed, a brand-new race is launched.
05 Standing, 2021, random interactive webpage
The codes are revealed in forming and shaping the horse vector. Like a scrolling text on a marquee, they slowly outline its various postures—shaking its head and tail, bowing to eat, raising its head, neighing, and pacing.
Offline Horse Farm
01 Carousel, ±1, 2014-2021，loop dual channel video, LED display
Two halves of the carousel diverge from the shared timeline. At different speeds, the left and right circles go without the same rhythm.
02 Eadweard Muybridge's Horse, 2021, painting, acrylic paint, 420 × 620 cm
The horse vectors endlessly circling on the webpage come to an abrupt end here, turning into a monochrome painting on the wall, which beckons the horse’s galloping posture by sequence photography.
03 Wooden Horse, 2021, sculpture, wood, 52 × 540 cm
The black horse vector on the webpage has gained texture and volume of material in the tangible reality.
04 Marquee, 2021, mixed media, LED board, iron, 800 × 32 cm
A horse is racing on the marquee; a black horse flashes between the lights on and off, and the striplight is its eternal racing track.
05 Coded Horse, 2021, audio-visual installation, LED display, speaker, dimension variable
The horse vectors kept in a black box are like horses resting in a stable: eating, neighing, walking, or shaking their heads and tails. Running is the only exercise they will not do.
Online Horse Farm
Website | chunyichang.com/yirihorsefarm
Offline Horse Farm
Date | 2021.12.23—2022.01.23
Venue | YIRI ARTS
Add. | No. 1, Lane 86, Xinming Road, Neihu District, Taipei City 114030, TAIWAN
Open | Tue.—Sat. 13:00—19:00
Closed | Sun.—Mon.
Organizer: YIRI ARTS
Sponsor: Department of Cultural Affairs, Taipei City Government
Webpage Consultant: Domoidea Design, Sense Info
Sound Effect: Yannick Dauby
Special Thanks: Taiwan Toy Museum, Department of Fine Arts and Yo-Chang Art Museum of NTUA
