TEXTS

Daily+: Evolution of an Undefined Aesthetics of Curation

Text by Xiaoxiao Yan
It is very difficult not to compare Air Plant with Daily+ because of the coherence of curatorial conception and mechanism. Through such a curatorial move in a row, the curator Chun-Yi CHANG breaks down the curator-centered stereotype

read more

A Mirage in Time: The Cinematic Scenes of Daily+

Text by Song-Yong SING
Basing off this curatorial methodology, the biennial is tied up with literature, setting itself apart from the usual practice of exhibitions taking trendy theoretical concepts as the prerequisite while endowing Daily+ with a kind

read more

Daily+: A Leap Away from the Dimension of the Netherworld

Text by Tom Huang
The vines crawling all over the old dormitory buildings, the camphor trees thriving among the ruins of the abandoned complex, and the giant elephant ears (Alocasia odora) favoring the wet darkness all contribute to the dilapidated asphal

read more

A Dynamic Relational Model of Quasi-daily Spatial Clusters: An Attempt at Interpreting the Curating Conception and Practice of the 2018 Daily+ NTUA Biennial

Text by Hai-Ming HUANG

read more

Daily+, the Time Duplicate that Sprung from Wall Climber

Text by Wen-yao CHEN
The novel was no longer confined to the pure text document format that was sent to participating artists as points of consideration for the show. Text became a dual space reference, later derived into Reading Capsule, Guide of Wall Cl

read more

The Symbiosis of Curating and Creating: An Artist-Curator Curatorial Practice

Text by Chia-Hui CHIANG
The symbiotic curating mechanism adopted by CHANG in these two exhibitions has paved a unique co-creative and active form of cultural production between the artists and the curator (...).

read more

Entrails-like Passages for Endless Hide-and-seek--Reading Daily+

Text by Yun-Ting CHANG
The ubiquitous “place” provided novels, art works, and the exhibit with various reading paths, just as in “Entrails-like Passages for Endless Hide-and-seek,”4 allowing each reading to be like a fresh start to a logic game; each tim

read more

「超日常」的展覽實踐 ── 訪談策展人張君懿*

訪談&文字整理|張韻婷、盧思諭
白紙如同日常,摺線出現的時候是維度轉換的時刻,是一個向度過渡到另一個向度的時刻,是可能性湧現的時刻,所以這裡所謂的「超日常」並不是與日常發生斷裂,不只是超越日常,而是探問我們是否能夠通過藝術折返日常,在折返之中發現從來不曾如此思考或注意過的事物。

read more

Daily+: A Daily Superimposition Technique

Text by Gou HOUNG
In conclusion, art has always been a field of view on the plain daily life itself. As a result, art, compared with the daily life, is not something dispensable or that which one does in pare time. Rather than explaining art as the surplu

read more

Daily+, the 2nd Greater Taipei Biennial of Contemporary Art (Curatorial Discourse)

Text by Chun-Yi CHANG
In other words, keeping a distance from the daily life, a subject is thus able to discover in the relationship of dependency some points of reference, of substantiality and of transcendence, and to further transform the daily into in

read more

About Chun-Yi Chang's Carousel

Text by Wen-Yao Chen
With the sudden feeling of déjà-vu, experiencing the feel of the instant when we stand in front of the work, and how the instant of our thoughts when we are viewing the work intertwined with the limited eternity within the work.

read more

The Growth Patterns of Air Plant: An Interview with Chun-Yi CHANG

Interviewed by Yun-Ting CHANG
I want us to answer the questions “Can we travel even further upstream; can we return to a place before professional art fields are divided into different categories; and can we search for and spark common thinking patterns

read more

The Botanic Image of “Air Plant” and its Strong∕Weak Curating

Text by Sheng-Hung Wang
Chun-Yi Chang, curator of the Air Plant: Performance Ability within Contemporary Arts exhibition (hereafter referred to as the Air Plant exhibition) introduces a distinctive, plant-based image/concept that is closely related to cur

read more

The Rise of Minimalism-based Postnatural Aesthetics, Observing the Vibration Ability of Air Plant by Adopting a Playful, ‘Game-oriented’ Perspective”

Text by Chien-Hui KAO
For the Air Plant: Performance Ability within Contemporary Arts exhibition, a group of artists engaged in human sociology and New Historicism-oriented art practice and utilized images and files to tell stories in a variety of ways. O

read more

AIR PLANT: PERFORMANCE ABILITY WITHIN CONTEMPORARY ART

Text by Chun-Yi CHANG
If people have to think outside the box in order to catch glimpses of the unobserved, deep-rooted ideas inside the box, then only by this distance can a subject of art creation observe the thinking out of the unthinkable before now,

read more

古早糖果紙幻化,十鼓展多彩童年

文|吳俊鋒(自由時報)
十鼓邀請旅居法國的台灣藝術家張君懿駐村,首展創作的主題為《糖衣》,十鼓邀請旅居法國的台灣藝術家張君懿駐村,全力打造,以包裹童年甜蜜回憶的元素,運用色彩轉化的技術,精彩呈現繽紛的視覺效果。

read more

十鼓糖衣影像展,營造奇幻世界

文|綦守鈺(聯合新聞網)
台南仁德的十鼓文創園區,多年來致力於糖廠工業遺址的保存並為糖廠的活化再生,定期提供國內外藝術家駐村創作,讓藝術家與這片土地的過去、現在、未來產生交流與對話,更期望讓來自各地的遊客們感受到台南在地又多元的藝術之美。

read more

謝芳珍

文|黃同弘
你都說些什麼?害怕的時候,孤獨的時候,下雨的時候,恐慌的時候,離別的時候,黃昏的時候,臨終的時候,你在房子裡說些什麼?你把什麼話語,留給一間兀自亮著的空屋。

read more

Chance of Déjà vu, a review on Chun-Yi Chang’s exhibition ‘Instant d’entre’

Text by Wen-Yao Chen
Chun-Yi Chang’s exhibition ‘Instant d’entre’, opens with the above mentioned quote. I could not help but imagine that as the moment when St Augustine was facing the probing of the others. Is not that an urgent yet hesitant moment whic

read more

18 Carousels turning on childhood memories

By Ericamigo Wu ( From China Times)
White horses, unicorns, pirate ships and all kinds and shapes of cute, colorful carousels, carried the childhood memories of adults and children. Taiwanese artist Chun-Yi Chang made video recordings on 18 carousels in P

read more

‘Instant d’entre’ - Chun-Yi Chang’s solo exhibition

By Yu-Kuan Hou (From Artco)
Chun-Yi Chang uses the corresponding relationship between video recording and the space to enhance people’s emotion toward video recording. Creating a dream-like environment allowing people to loose themselves in time and space

read more

Another temporality: Starts from Chun-Yi Chang’s ‘Carousel Waltz’ series

Text by Tzu-Chieh Jian
So far, this journey without destination had made me felt incomprehensibly gloom. Unlike the beginning, which reminds me of the younger years when I had the obsession to put on my headphone and listened to the same song over and ove

read more

事件視域。彼岸靜浦。一時之間

文|黃同弘
童年的每個夢如果存活得夠久都會成為惡夢,比如你會受困於引力在永恆的軌道上轉著圈圈,相對於線性發展下去、生活下去、苦難下去的現實,旋轉木馬成了奇異點,美夢成真的時候,也就是你通過奇點進到事件視域消失於此的時候。

read more

「一時之間」觀後感之三:仙女湖

文|陳彥伯
我想<仙女湖>系列可以看作是從<天空藍>延伸出來的作品,但是更富有遊戲性、並且挑戰了更多不同的元素── 捉迷藏、數數、湖中倒影、樹幹與背景,並且緊扣著「時間」這個主題── 時間的不同步、重複、佚失、與倒流。

read more

「一時之間」觀後感之一:卡羅索爾華爾滋

文|陳彥伯
所謂現實的狀況,是否可能其實是從我們自身的內心狀態投射出來的呢? 一如巨大的原型,投射、分裂出不同造型的旋轉木馬,但一切都在原地空轉,沒有前進半步。

read more

虛擲空響:2.7克的獨白

文|陳文瑤(典藏今藝術)
展場充塞著地窖獨有的陰涼與幽暗,建築表面即使漆成白色仍無法掩飾其肌理的粗糙,空間被切割得零碎甚至有種迷宮況味。然而在如此複雜的條件之下,包含了攝影、動畫、錄影以及錄影裝置的八件作品卻安排得極具巧思。

read more